I’m glad I’m not alone in all this . . .
I grew up listening to spirituals as lullabies and ended up sort of saturated by classical and 1950s-60s folk music (Ian and Sylvia, Odetta, Judy Collins, the Limelighters, Kingston Trio). My musical interests continued as I grew older. When you are a semi-professional musician, especially one with an interest in pipe organ, you get exposed to a great deal of sacred music. Many of the great works of the western canon were written for use in worship services, or for a particular religious celebration or commemoration, or to retell a story (Hayden’s Creation, for example). You also learn the basics of music history, from Medieval through the Romantic in most cases, either in a formal class or through osmosis. And you understand why certain lyrics and musical patters go together. Or at least, did until now.
At some point, I suspect in the 1960s in the United States, certain…
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